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Malayalam Movie Reviews
Bhaskar the Rascal Review
2.00 rating

Siddique's 'Bhaskar the Rascal' is a film sans an internal narrative logic that hardly outweighs its jaded stereotypes. The only redeeming fact about the two and a half hour long film is the highly agreeable combination of its four lead actors - Mammootty, Nayantara, Sanoop and Anikha - all of whom desperately struggle to bring in some sense into an otherwise bizarre storyline.
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Ivan Maryadaraman Review
2.00 rating

Measure it by any yardstick, and I'd still maintain that 'Ivan Maryadaraman' is certainly not my cup of tea. For that matter, neither is the Telugu original that it blatantly admits to have been inspired from.
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Ennum Eppozhum Review
2.00 rating

At the end of it all, when one looks back at it, the title of the film sounds the scariest. Is it a forewarning by any chance, that prospective Sathyan Anthikad films will forever (Ennum Epozhum) remain within a redone-to-death mould?
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Oru Vadakkan Selfie Review
2.80 rating

Prajith's directorial debut 'Oru Vadakkan Selfie' is a quiet little gem that has popped out of the basket this Friday, which is a buddy comedy that has a very special edge to it. A pretty good yarn that is consistently witty, 'Oru Vadakkan Selfie' fruitfully manages to let that smile linger on your lips for quite a while.
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You Too Brutus Review
2.00 rating

'You Too Brutus' is a bewildering film that fails to create something memorable or meaningful, and at best is a plodding assemblage of characters who thrash about in a clumsy gloop. And it never manages to go quite far either, in any direction whatsoever.
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Njan Ninnodu Koodeyundu Review
2.50 rating

In his latest film 'Njan Ninnodu Koodeyundu', director Priyanandanan leads us on to a utopia of sorts through the medium of a dream, where integrity reigns. Offering glimpses of a distinct profundity, this is a film that's dutiful to the core, but which is sapped of the punch and spirit that could have made it a terrific cinematic experience.
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100 Days of Love Review
2.00 rating

It takes the wine drenched words of Balan, a rain and a whole lot of thinking for Sheela to decide once and for all, as to what she truly wants from life. It takes infinitely lesser time for us to decipher what '100 Days of Love' is all about - a swoonless romance bereft of smiles or sighs.
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Elanjikkavu P.O Review
1.00 rating

'Elanjikkavu PO' is a failed murder mystery that starts off from nowhere and ends up nowhere. Preposterous to the core, it has little style and even lesser substance.
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Kalyanism Review
2.00 rating

'Kalyanism' is a letdown that fails to spell out right, what it sets out to achieve. Perhaps it would suffice to say that its one of those movies that means well. But sadly, it doesn't work that well.
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Onnam Loka Mahayudham Review
1.80 rating

'Onnam Loka Mahayudham' like many major wars that have been fought in the world, is deluded by a reason that it believes to be true. When it finally draws to a close, leaving much destruction and damage in its wake, the phoney cause is all that remains.
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Raag Rangeela Review
0.50 rating

Younus Mohammed's 'Raag Rangeela' looks like a shoddily made music video sans a story or script. Making no sense whatsoever, it intersperses a few songs into some haphazardly shot scenes and comes up with a tedious film that terrifies you with its bumpiness.
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Nellikka Review
2.00 rating

'Nellikka' does not keep up its promise of turning sweet after a brief spate of bitterness. For the most part, it remains a tale that retains a languid taste in your mouth, which you hope against hope till the very end, will change for the better.
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The Reporter Review
1.50 rating

'The Reporter' is weakly scripted, poorly shot and dimly directed. There is little shine it, and even lesser bite.
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Compartment Review
2.20 rating

Salim Kumar's directorial debut 'Compartment' is effectual in patches, and does have a few quiet and intimate moments. However it falls short of being an admirable film, chiefly on account of its inability to stay absorbed on its very perturbing premise.
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Manikyam Review
2.00 rating

R J Prasad's film is a classy instance of a work of literature losing out on its allure in the process of being transformed into a film. At best 'Manickyam' remains a lukewarm movie adaptation that is timid and tame, and which never really gets going beyond a point.
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