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Singh Is Bling
Kis Kisko Pyaar Karoon
Singh Is Bling
Wedding Pullav (5)
Pyaar Ka Punchnama 2 (29)
Prem Ratan Dhan Payo (21)
Singh Is Bling (27)
Ishq Ne Krazy Kiya Re (17)
Guddu Ki Gun (1)
Yaara Silly Silly (2)
Ishq Da Panga - Song Promo - W...
Saathiya - Song Promo - Yaara ...
Heeriye - Song Promo - Pyaar K...
Trailer - Guddu Ki Gun
Trailer - Prem Ratan Dhan Payo
Jaane Tere Shehar - Song Promo...
Dialogue Promo - 2 - Pyaar Ka ...
Song Trailer - Jazbaa
Dialogue Promo - 3 - Singh Is Bling
Dialogue Promo - 2 - Singh Is Bling
Dialogue Promo - Singh Is Bling
Title Track - Wedding Pullav
Shashi Kapoor Felicitated At Jagran Film Festival
Tamannaah And Kajal Agarwal At Gauri Khan Store Preview
Shweta Nanda And Vikram Phadnis Snapped Post Dinner At Royal China
Amy Jackson Snapped At Dubai International Terminal
Amy Jackson Snapped At International Airport
Alia Bhatt And Arjun Kapooor Snapped At Domestic Terminal
Aishwarya Rai At Longines Store Launch In Delhi
Aishwarya And Irfan Land Back In Mumbai Post Delhi Jazbaa Promotions
Aishwarya And Irfan At Jazbaa Delhi Media Meet
Mini Mathur And Abbas Mustan At Tilt All Day Brunch
Kiara Advani Snapped At International Airport
Irfan Khan at Jazbaa Promotions
Soha Ali Khan
Ta Ra Rum Pum Music Review
Tue, 17 Apr 2007
After the marginal success of "Honeymoon Travels Pvt. Ltd", music director duo Vishal-Shekhar have composed another seemingly bouncy compilation in "Ta Ra Rum Pum". The album is relatively small by our Hindi film industry standards as it has only six tracks and there is not a single remix.
The title track "Ta ra rum pum" is sung by Shaan, Mahalaxmi Iyer, Sneha Suresh and Shravan Suresh - Vishal-Shekhar have used four different voices for four leading characters of the movie. Consistent whistling makes this track vivacious. The lyrics, however, lack creativity.
"Hey shona" is sung by Shaan and Sunidhi Chauhan in their melodious voices. It is a slow euphonious track conveying the feelings of two lovers for each other. Apt dhol and drum beats and spirited guitaring gels with the lyrics, which for the most part remain mediocre.
"Nache le" is one jaunty track full of vigour. Sonu Nigam and Somya Roah lend their voice to the song, which is an open invitation for the listeners to dance. The background score is more of a mix and match variety. The lyrics further convey the robust Punjabi spirit of dance and celebration.
"Ta ra ra ra rum" is another mellifluous track sung exceedingly well by Shreya. This one is a slow lyrical track and marks a turning point in the movie with its sanguine tone. Piano play is the mainstay of the music. It is repetitive at some places and relatively long as well.
"Ab to forever" is about the eternal male-female war of words about love. It begins with rhythmic dholak beats and Vishal's mumbo-jumbo. The Hinglish lyrics reflect the contemporary lingo of youth.
"Saayiaan" is a song that expresses Sufi spirit, crooned by Vishal Dadlani on an inspiring note. Though the rendition falls short of creating that soothing effect through the lyrics, it gels well with the music.
Although attempts have been made to compile an assorted album it turns out to be mediocre. At some places, there seem to be traces of "Salaam Namaste". Some more creativity and imagination might have lifted the album above average.
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