Poomaram Malayalam Movie

Feature Film | 2018 | U | Drama
Critics:
Audience:
Random candid visuals rule the roost in a film that craves for an adequate plot. This protracted youth festival has genuine intentions but in the face of a soulless action, this campus drama fails to blossom properly.
Mar 15, 2018 By K. R. Rejeesh

Where To Watch:
Streaming:
   Disney+hotstar
DVD Release: Sep 12 2018

Myriad expressions of art are blossomed on the branches of "Poomaram" to be absorbed by youngsters. They imbibe the art forms with full of passion and dedication. Director Abrid Shine hinges on a plethora of university youth festival visuals to showcase their efforts and preparations for success. But the overloaded collage of visuals makes every branch of "Poomaram" feeble.


The candid visuals and songs are the cornerstones of this movie solely because they eclipse the tenuous story written by the filmmaker. Abrid explored the unfamiliar milieu in a police station with astute intensity in his previous outing. Here he presents the familiar premise of a youth festival in a rather peripheral way. There is little sneak peek into the backstage games or criticism against the wrong practices prevailing in such fests. Albeit the treatment is simple and realistic, apparently the real essence of a campus drama is elusive.


The zest and emotion is at its peak when two major colleges-Maharajas College and St. Treesa College- vie for the first place in the MG University youth festival. College union chairman Gouthaman (Kalidas Jayaram) leads the Maharajas team while Irene (Neeta Pillai) is the leader of St. Treesa College. The whole action, which is fully wrapped by candid visuals, revolves around these two colleges. Thanks to art that subsides the rage and rave of teenagers in the tale.


Kalidas as a soft-spoken youth is powerful in his performance and he safeguards the riveting nostalgia factor in the film. He has more song lines to enact than trying out his emotional outbursts. Indeed, the songs and music are simply hard to ignore for they elevate us to the nostalgic realms of serenity and love. The poetic mood gets a prompt shift once the commotion of the fest sets in. The scenes at the police station and Joju George's inspector character provide some respite from the tiresome visuals.


Abrid has a message to convey by adopting a soft method in the action and treatment but he misses the substance once he focuses more on to the premise. It's poetic in parts though the ignored plot is jostling for space among the cluster of visuals.

K. R. Rejeesh

   

USER REVIEWS
Sreejith

Somewhere in Poomaram, Abrid Shine dons the hat of an arts connoisseur not shying away from the fact that not all events... Show more
Somewhere in Poomaram, Abrid Shine dons the hat of an arts connoisseur not shying away from the fact that not all events in youth festivals go as planned and warns us it may be uncalled for to criticize fine arts. He is an optimist. Those in the industry, who are giving us potboilers in the name of campus movies shall take note of this work. It’s pointless to look back upon on a gem and usher acclaim, when it is all too late. Poomaram leaves us with a nostlgic feeling, one worth revisiting.
cinema buff

director, AH Bijuവിന് വേണ്ടി ഒരു പോലീസ് സ്റ്റേഷനിൽ ഒട്ടിച്ചുവെച്ച ക്യാമറ നേരെ ഊരിയെടുത്ത് ഒരു യുവജനോത്സവ പന്തലിൽ കൊണ്ടുവ... Show more
director, AH Bijuവിന് വേണ്ടി ഒരു പോലീസ് സ്റ്റേഷനിൽ ഒട്ടിച്ചുവെച്ച ക്യാമറ നേരെ ഊരിയെടുത്ത് ഒരു യുവജനോത്സവ പന്തലിൽ കൊണ്ടുവന്ന് കെട്ടിത്തൂക്കിയതാണ് പൂമരം; പക്ഷേ ബിജുവിൽ കണ്ട കല, ജീവിതം, സിനിമ തുടങ്ങിയവയൊക്കെ വഴിയിലെവിടെയോ കളഞ്ഞു പോയി എന്നു മാത്രം.പകരം over detailing, Iag, പരിചിത visauls ന്റെ വെള്ളപ്പൊക്കം തുടങ്ങിയവ. സിനിമയെന്ന പേരില്‍ ഈ Youth festival സി ഡി കാണാൻ ഞാൻ കത്തിച്ചു കളഞ്ഞ 300/ ആര് തരും? Abridshine എന്നെ പറ്റിച്ചു,നിങ്ങളെ പറ്റിച്ചു, പാവം കാളിദാസിനെയും പറ്റിച്ചു ഈ ബോറന്‍ ഡോകുഡ്രാമയിലൂടെ
Rajoy Alfes

Abrid Shine is a lonely ranger who leaves the beaten track and follows a course undiscovered yet and hence challenging. ... Show more
Abrid Shine is a lonely ranger who leaves the beaten track and follows a course undiscovered yet and hence challenging. If it was Police last time, this time it is University Arts Festival. He delves thoroughly into the topic in front of him before writing the screenplay so that the spectator does not have to leave the theatre baffled or idiotized. Kalidas does not have much to do in the film and so an assessment of his talents would be premature. A few new faces have made promising incursions.
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