Sathriyan
Sathriyan has absolutely nothing special in terms of performances or music or screenplay or story. So why take the trouble to watch it in theatres.
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Sathriyan has absolutely nothing special in terms of performances or music or screenplay or story. So why take the trouble to watch it in theatres.
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Radha Mohan's Brindavanam is a light-hearted entertainer that conveys a much deeper message without melodrama!
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For SBKT, the director-producer debut combo (Ike and Atlee), seem to have a clear vision - come up with a formula that has worked before without re-inventing the wheel on a stringent budget.
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The movie employs every masala cliche to appeal to the audience. But sadly, the equation just doesn't seem to add up.
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Baahubali 2 certainly places itself in a league of its own, in terms of script and making and throws a challenge at filmmakers to up the ante, not only in terms of budget but also in terms of coming up with a saleable script!
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Kadamban could have been much better with a strong script and a pacy narrative conveyed through much more interesting characters with inherent character arcs and without unnecessary commercial elements.
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Pa.Paandi, actor Dhanush's directorial debut tries to explore the agonies of old age with a refreshing narrative and smart commercial packaging.
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Neo cop thrillers have come a long way since the legendary Vijayakanth movies. The latest, 8 Thottakkal holds a juicy and intriguing plot that encash on some 'international inspirations'.
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Kaatru Veliyidai, Mani Ratnam's latest, seems like an experimental attempt from the master storyteller that treads on thin ice with some brilliant technicalities in place.
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Debutant director Das Ramsamy has come up with a horror plot that has some novelty and a star performer, but lacks fizz mainly due to the pale staging of scenes and stale delivery of dialogues along with cliched scares that hamper it from becoming a true-blue horror entertainer!
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A movie on unethical journalism is nothing new to Tamil cinema (Vanchinathan, the 2001 Vijayakanth movie), it has been perfectly scripted by Subha and executed by KV Anand's team with a lot of masala and glamour for a broader audience and a greater box-office appeal.
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Paambu Sattai can be given a miss, as no one in the movie seems to have that conviction to perform what was needed. Bobby Simha should take a cue from the movie's title - shed the skin of stardom and recreate himself to don more meaningful roles. He should hang out more with the likes of Karthik Subbaraj!
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