The Exorcism English Movie Review

The Exorcism Movie Reviews

Feature Film | 2024 | Horror
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2.6
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Review by: Kim Newman - Empire Online
There's a wobble about how committed this is to being a scary movie rather than an inside Hollywood drama, but -- like Exorcist III -- it springs one great lunge-out-of-an-unexpected-corner-of-the-frame jump scare.
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Review by: Anton Bitel - Sight & Sound
In blurring the line between horror films and filmmaking, ...writer-director Joshua John Miller is once more, as in his previous The Final Girls (2015), offering a sophisticated, metacinematic take on genre.
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Review by: Justin Lowe - The Hollywood Reporter
Although the climactic scenes, which perhaps hew too closely to the original, are striking from a stylistic perspective, by this point Tony Miller, and Crowe with him, have completely surrendered credibility
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Review by: Owen Gleiberman - Variety
The darker the movie gets, the less there is at stake, and the more that Crowe seems to be going through the motions of trying to save not his soul but his career. The power of residuals compels you.
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Review by: William Bibbiani - The Wrap
Russell Crowe gives his best performance in years as an actor overwhelmed by inner and outer demons.
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Review by: Alissa Wilkinson - New York Times
There’s a bizarrely choppy feel to the movie, as if an hour or so had been pulled out in an attempt to slim down an overstuffed story. This throws off the rhythm, stripping the film of its tension and frequently leaving us wondering what’s going on, and not in the good, creepy way.
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Review by: Stephen Romei - The Australian
This is Russell Crowe’s second crack at a devil-be-damned movie, following The Pope’s Exorcist in 2023. He’s solid for the first hour – but things go downhill from there.
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Review by: Sreejith Mullappilly - Cinema Express
The Exorcism has the potential to be a solid satire about the film industry, much like how Late Night with the Devil is one about television. In other ways, it has the potential to explore the challenges of being a single parent in the guise of a horror film, as is the case with The Babadook. But it ultimately squanders its potential and succumbs to the same demonic cliches it deals with.
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