Neelakasham, Pachakkadal, Chuvanna Bhoomi
A stately, solid piece of film making that crushes generic constraints, 'Neelakasham Pacha Kadal Chuvanna Bhoomi' is majestic cinema that gently unravels with measured, mythical elegance.
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Memories
'Memories' is a standard connect-the-dots whodunit that has its share of suspense, mystery and thrills. Jeethu Jospeh's new film is a decent entertainer in which plot twists abound, and the ambiance is laced with intrigue.
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Pullipulikalum Aattinkuttiyum
In 'Pullipulikalum Aatinkuttiyum', Lal Jose unearths a primitive tale, dusts it up, places it on a canoe and sets it sail on the backwaters of Kuttanadu.
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Crocodile Love Story
Anoop Ramesh's directorial debut 'Crocodile Love Story' touches new depths of ineptitude with a stiff jointed plot that fails to hold its own.
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Kadal Kadannu Oru Mathukutty
Sadly, this time around, en route to India from Germany, the director seems to have dropped his pen into the sea.
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One
'One' offers solid proof that one could be really tired waiting to be scared. Believe me, I'm exhausted!
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101 Chodyangal
Sidhartha Siva's brilliant directorial debut '101 Chodyangal' is a profoundly poignant film that depicts the frenzied endeavors of a young boy to attain emotional attunement to the abysmal environment that he lives in.
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Police Maman
The lack of imagination mars things beyond repair, and it's true that some cheesy sitcoms appear far better in comparison to this uninspiring film.
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Kallante Makan
As much as one recognizes the objective of a film like 'Kallante Makan', there can be no justification to the mediocrity on display. This is the exact reason why the film is an indictment of the fact that a noble cause does not always a good film make.
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Mizhi
'Mizhi' has a hundred factors working against it. Muddled, inert and manipulative it's the kind of a film that I wouldn't dare touch with a barge pole. That is, if I had a choice.
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Tourist Home
In his new film 'Tourist Home', Shebi defies expectations and takes you on an elliptical expedition around a few lives that have transiently boarded themselves at a local lodge. Unique and unclassifiable, it is a stimulating piece of experimental film making, the dynamics of which are much more intricate than what its seemingly clear-cut exterior suggests.
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Buddy
Raaj Prabhavathy Menon's 'Buddy' reminds you of soggy, overcooked noodles that refuse to let its strands be forked up. The reasons are many, with the jittery script occupying the seat right in front.
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