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t's hard to dismiss the film as such, but one does end up wishing that the socio-cultural expose that it attempts was harder hitting.
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t's hard to dismiss the film as such, but one does end up wishing that the socio-cultural expose that it attempts was harder hitting.
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'Entry' should be a disappointment of gigantic proportions, for Ranjini's fans and detractors alike.
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Rajeev Ravi's directorial debut masterfully captures the tale of two souls in love. 'Annayum Rasoolum' is an intimate romantic drama told with much grace and sophistication, that is without doubt, the best way to start off your New movie Year!
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'Nee Ko Njaa Cha' is a scattershot film that throws in a few sex jokes together, hoping to make a point eventually.
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George Kithu's new endeavor does mean to be an earnest film tackling a very contemporary theme, but it never manages to offer you an insightful portrayal of the family dynamics that it attempts to analyse.
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Enormously entertaining and extremely gratifying, 'Da Thadiya' delivers the big, fat punch, right where it belongs.
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'Matinee' is a dark parable that splendidly traces the ever changing contours of human lives.
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The shambling plot in 'Hitlist' sees to it that the film remains a tedious shoot-them-all flick.
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The potentials of experimental story telling are explored to the hilt in Sunil Ibrahim's debut directorial venture.
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I had always felt that Shaji Kailas needed to rediscover himself. But now, after 'Madirasi', I have serious doubts about the reinvention idea.
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This film sadly has a theme that could be discussed in ten minutes sharp; and that it has been stretched to a couple of hours is what makes the movie tiresome.
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Shorn of it's over the top dramatics, 'Ardhanaari' could have made a touching film, but as of now, it's a shrill and screechy film that puts us off with its loudness.
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