With all ingredients in the right doses, 'Snehaveedu' remains exactly what you expect it to be - the quintessential Sathyan Anthikkad film. The family audience that has adored Sathyan Anthikkad films for long, is there at the theatres this time as well, but Snehaveedu emits enough smoke to set off the tedium fire alarm.
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Sarkar Colony is a major let down, in terms of the story, the script as well as the execution. Given the kind of predictable fare that it is, it is likely to have a terrible time at the box office.
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It badly makes you want to go back to your childhood once again - the kind of film that you had fallen in love with as a kid; the kind of film that your kids will certainly fall in love with!
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UCV is the kind of film that Jayaram was seen in for a few years prior to 'Veruthe Oru Bharya' - films that used to come and leave without a whimper that had made his star status hit a rock bottom. Not a good sign, this!
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Mostly, 'Sevenes' is old wine that has been corked into an older looking bottle. Not the kind that you would savor on a festive occasion.
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Falling in love is more of a ploy in Dr. Love that has little to do with the forces of nature. You design and scheme with all your might, as if the object of your affection is your gravest enemy on earth.
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Pranayam does strain hard to achieve the nuances of an enchantingly sublime love, but ends up being a literal minded love tale, with one among the three lovers oddly left out.
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Stuck in Tejabhai's den with a bunch of cacophonic characters, there was just one thing that I wanted to do - to scream out loud.
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The cast is the best thing about Kathayile Nayika. There is pretty little else that would excite you about this film.
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The premise of Oru Nunakkatha is absurd, and the disaster-prone script is doomed. Maybe we should just pretend that all that we had seen on screen was just a fallacy.
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Veetilekkulla Vazhi (The Road Home) probes into the by now familiar and much discussed issue of terrorism, and in doing so doesn't really break any new ground. As it stands however, it remains a commanding statement on the worthlessness of wars fought in the name of religion.
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Orma Mathram is quiet almost to the point of being sleepy and wants you to fill in all the gaps in the narrative. It fills its mouth with too many things that it neither manages to chew nor swallow.
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