Black Stallion
Namitha's attempts to set Malluwood ablaze with her oomph goes.. err.. bust. With literally nothing to do except the dare bare act, she couldn't have chosen a more disastrous debut in Malayalam films.
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Chattambi Nadu
The one thing that you will have to repeatedly push down while watching the film is the feeling that you have seen this all before. Bearing in mind the talents involved, it's really a shame, and Benny's script looks like it has just emerged out of a sugarcane crusher with all the sap squeezed out.
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Ividam Swargamanu
In Ividam Swargamanu, Roshan Andrews maintains a fine symmetry between empathy and satire. Rousing some genuine feelings in the minds of the viewers, this is a brilliant way to end the eventful year.
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Keralolsavam 2009
It might be unheard of in our film industry, but we badly need to have a few casting directors around. Because, when a director casts Vinu Mohan in the role of a hardcore terrorist and a Kalari artist to boot, it's a sure sign that people are capable of doing the most inexplicable things.
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My Big Father
Dwarfism is the dartboard in My Big Father. It seemed more like an insult package to me rather than a considerate film that looks hard at the issue at hand.
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Paleri Manikyam
Ranjith is a dynamic director in that he has continually broken down the rusty conventions that have almost corroded the core of Malayalam cinema. For one, the frankness that pervades this film of his is almost foreign to the average viewer.
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Gulumal
Moving far ahead of Positive, V K Prakash might have a winner with Gulumaal. As for me, I am all eager to see his next work, hopefully with a better script that's much more original than Gulumaal is.
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Kappal Muthalali
I would just bite the bullet, and tell it straight. This is a dross of a movie, that would have had me heading for the exit in no time, if only I had a choice.
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Neelathamara
Not every tale has the facility to rejuvenate the viewer's interest, a good thirty years since it was originally written. Times change, so do people, aptitudes change, so do attitudes. What I am trying to say is it's 2009, and the Blue lotus seems to have bloomed quite late into the day.
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Che-Mystery
Chemistry is a real scary film. It gives you the creeps with its nerve wracking script, the threadbare story, the boring sound effects and the almost imaginary plot.
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Parayan Marannathu
Parayan Marannathu is an extremely modest film that might have worked out better on stage than on film. It has exploited none of the potentials that cinema as a medium offers it.
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Patham Nilayile Theevandi
'Patham Nilayile Theevandi' has a theme that is haunting and even moving at times, but fails to keep the narrative going on in full steam. Like the deafening hoots of the trains that zoom past in its protagonist's psyche, it creates a noisy turmoil in the viewer's mind that at first unnerves and gradually torments.
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