Poppins
I couldn't really understand why these no-sugar, no-salt , no-flavor candies have been stashed together as an assortment.
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I couldn't really understand why these no-sugar, no-salt , no-flavor candies have been stashed together as an assortment.
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For an aspiring thriller, 'Face 2 Face' plays way too soft on the surprises and shocks.
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It's the kind of film into which, even if you venture in with rock-bottom expectations, you are likely to walk out terribly distraught and disappointed.
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These bleak, messy weddings that you are made to be a part of, seem to be in desperate search of making a point; something that they never manage to achieve.
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We realize that so much of sweat has been shed behind a film, but what we also hope for is for all these endeavors to start off from a solid script that would see to it that the efforts are not made in vain.
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The cumulative chill that you expect to work wonders in Roopesh Peethambaran's 'Theevram' is not there.
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Despite the forced fun titbits that make up the film, it remains fundamentally formulaic when it comes to its construction and quite middling when it comes to the execution.
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'Prabhuvinte Makkal' is without doubt, one of the most thought provoking films of the year that tells an almost instructive story.
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All said and done, the paradise still remains an enigma, and salvation appears as unfathomable as it has always been.
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Not all novel ideas have a desirable impact on the viewer, as 'Kaashh' proves beyond doubt.
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Everything feels mediocre barring the acting, and for once, even the ghosts seem uninspiring.
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