'Vellaripravinte Changathi' is a film that comes this close to being a charmer, but which in time, loses it all. The valiant efforts are there for sure, and it's sad that they haven't translated to film, as much as they should have.
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Venicile Vyapari is the kind of film that generates a few chuckles here and there, amidst a whole lot of tedium that lasts for a much longer time. While it remains that it isn't exactly frightful, it has to be accepted that nothing much inventive happens around here.
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The wobbly script is the proverbial camel here that has chucked out the entire film from under the shade onto the scorching desert.
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In keeping with the mood of the times, there is only one line that comes to mind, having been through this filmi debacle - Why this Kolaveri, Kolvaeri, Kolaveri di???
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V K Prakash's 'Beautiful' is a compelling evocation of the human desire dynamics at work.
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We need to admit that Ajayan is another Pranchiyettan, but not even half as adorable as the latter. This man and his portrayal is more shallow, and as a result not many of his antics win our hearts.
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The attempts at pathos fall miserably short, and the emptiness of several of those scenes ensures that there is nothing new in 'Nayika', or for that matter nothing much either.
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Ultimately Kunhi Mohammed's Veera Puthran does not satisfy either as a historical reenactment or as a fictional piece. It might have been worth the ride had it discarded the trappings of a conventional freedom fighter film, but unfortunately it doesn't.
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The characters in Sandwich are poorly evolved, to the point of being implausible. Very rarely do they rise to the occasion, and its not entirely their fault that they haven't been given enough space to breathe.
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In Pachuvum Kovalanum, the script is all over the place and the bland direction sees to it that it never even remotely brings about anything that you are hoping for.
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The details are downright gripping, the asides sparkling and the setups almost surreal, so much so that Indian Rupee hops straight into the year's must-see movies list and scrambles right up to the top.
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Makaramanju loses grip on its material half way through, and remains an elusive piece that doesn't tug at your heart strings. Which is why, you walk out of the hall mumbling to yourself that perhaps a bit more clever scripting could have made all the difference.
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