Katha Thudarunnu
Go on; spend this summer with this mom and daughter. Go on; smile awhile and shed a tear with them.
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Go on; spend this summer with this mom and daughter. Go on; smile awhile and shed a tear with them.
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Pulliman is a major disappointment. It never reaches any level of competence that is required of a drama. Not even for a single moment.
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Mohan Raghavan's debut film matches up in texture, dimension and depth to the wonderfully crafted films of Walter Salles that often transcend boundaries. This is the work of an artist who refuses to see the medium as a mere commodity, and the highly sensitive writing and truly marvelous direction make this film a truly captivating watch.
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There have been infinitely better attempts at depicting the father-son combos in Malayalam films, and Paappi Appacha never falls into their league.
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Kadaksham attempts to explore identity, reality and sex in an ever changing scenario, but ends up being frustratingly convoluted. For the most part it appears shapeless and often too much conscious of its own self.
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Janakan tells a new age story that's already been told at least a couple of times. There is no denying the societal renovation that it aims at, but perhaps it needed to reinvent its modes of delivery.
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To cut a long story short, April Fool is neither as hilarious as Bheja Fry; nor is it as riotous. Go grab the Hindi DVD today of the brain fry if you have missed it, or better still go for that dinner with Francis Veber and crew.
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Pramaani might have been well intentioned, but it does look dragged out beyond belief. It's a film that simply refuses to come to life, with all those stereotypes clinging to its throat.
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Most sequels tend to lose steam after a couple of follow ups, and the Ghost House is no exception. The incomparable dynamics of Harihar Nagar is what is sadly missing in this Ghost House, and it goes without saying that it could prove fatal.
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Nayakan is an exceptionally polished film, a strange combine of a creepy drama and a jet-black thriller that gradually builds to an almost chimerical climax.
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Thanthonni seems like it's been scripted by the driver of a fast car who keeps switching lanes, neither aware of those trucks drawing in fast from behind nor those that are speeding ahead.
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Valiyangadi is a regal bore. Action film enthusiasts truly deserve something much, much better.
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