Everything in this film is 'Baseless, logic-less and abstract'. You laugh at the police officer's dialog, you cringe at the skin show, you shake your head at the stupidity of such films and you come away at the needlessness of such films.
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Stand up comic Dharm lands in Paris and meets the Paris tour guide Shyra and there's instant attraction. Since neither believes in the usual kind of love, they live together and their relationship is based on dares and lust.
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In a small town of Chandan Nagar, a young girl is kidnapped and her mother is distraught. But the police think the mother is the dreaded kidnapper and a murderer to boot. The cops run around in circles trying to figure out the truth. One police officer is not convinced that the mother could not be a kidnapper, and attempts to prove her innocent. The truth lies somewhere in between...
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For two hours you put up with too shiny, too happy people holding hands and you're fed up with the hokey counseling sessions. The last half hour actually touches you but it is too little too late.
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Ranveer Shorey plays Aman, a real estate agent who wants to get rich quick. His wife Divya (Neha Dhupia) is a television producer who disapproves of his schemes. When his one cheat-deal goes wrong, he has to find an even worse idea in order to get money lost. Of course things do not go well. What the audience can see from a mile away, the characters cannot. The film starts out well and quickly degenerates into a poor cousin of Khosla Ka Ghosla or Oye Lucky Lucky Oye..
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Girl and Boy1 are in love. They go to ski resort and Boy 1 topples off the snowy mountain after colliding with someone on a snowmobile. Girl comes back with Papaji and everyone grieves. Papaji introduces Girl to Boy2 and because Boy2 is so endearing Girl falls in love with him. But in a twist Boy1 comes back. Who does she choose? This good idea soon falls off the snowy mountains and becomes unintentionally hilarious. A cure for those in love.
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Mumbai Police officer ACP Yashvardhan (John Abraham) once again kicks, punches and shoots his way to the baddie, his biceps flexed permanently, his dimple flashing rarely. This time the bad guy is killing RAW agents one by one. In this mission, he has to assist a RAW agent (Sonakshi Sinha) who is a stickler about protocols and obeying orders.
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After 8 years the story of a broken band 'Magik' comes alive again. Barely. It is so slow you can see where the story if going a mile ahead. Each band member though busy with different things, deal with the death of young lad - who wanted to make music and whom they ignored - differently. This includes the sister of that boy who also makes music. The faraway village where one band member lives is burnt and the band comes together to save the village, and save themselves.
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You enjoy the first half which is bubbly and frothy and Anushka Sharma's fun, feisty character steals your heart. Then the film becomes more of a 'mushkil' than a tale of 'dils'.
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Not a shred of originality in this father-daughter copy of 'Taken' plus 'Bajrangi Bhaijaan', unless you are fascinated by snow, tattoos, and foreign locales where really bad foreign people live. Ajay Devgn, has a huge fan following as an action hero does not disappoint, but the CGI finishing does. And you begin hating Kailash Kher singing annoyingly in the background during emotional scenes and the title song playing ad nauseam during the action scenes.
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The story of the Sikh pogrom after the Prime Minister Mrs Indira Gandhi was assassinated (31st October, 1984) has been well documented and accepted as something where no justice can be truly offered. But when a film attempts to dramatise the events in an amateurish way, the heart-wrenching awfulness of those events is lost. The audience feels no empathy in the fake emotions and the graphic blood and gore fails too.
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Set in pretty Rajasthan this tale of a palace haunting and murder is being investigated by a policeman. The idea is great, but the execution fails so miserably, that you begin to laugh at the over the top acting by the lead characters: Prince Aditya Pratap Singh who looks more scared of his dead wife's ghost than enamoured by her, the girlfriend, the queen mother and other royalty... It's howlarious instead of horror.
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