Ittefaq
If the lead actors: Sidharth Malhotra and Sonakshi Sinha weren't so passionless in trying hard to be mysterious, this film could have been less painful to watch.
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If the lead actors: Sidharth Malhotra and Sonakshi Sinha weren't so passionless in trying hard to be mysterious, this film could have been less painful to watch.
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One Jia wants to die and the other is dying and before you come to the 'Babumoshai' moment you loved in Anand (Rajesh Khanna, Amitabh Bachchan), you have plotted their demise several times over.
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The super slowness of the film kills any interest you may have in the unraveling of the plot given away ten minutes into the film.
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Golmaal Again becomes funny in the second half and some ghostly goings-on make you laugh. But overall it's loud and lurid and you come away with a headache.
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How a little girl with big dreams becomes a burka-wearing YouTube sensation is the story of the film. But the cliches drown what could be fun and frothy into sentimental molasses.
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The dialogue, the acting of the supporting cast, the lovely music, the situations that the characters are pushed in are simply wonderful. You begin to care for the characters and enjoy the film.
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A remake of Jon Favreau's film by the same name, this film is more of a kitchen disaster than a chef's signature dish. Unappetising!
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Judwaa 2 is louder and bigger and bolder and Varun Dhawan may not be Salman Khan, but he holds his own, both as Prem and Raja. Fun watch for the younger generation.
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This version of avenge-your-daughter's-rape film is so gory and violent, you wonder if they're all living in some time warp.
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A stickler for rules, Newton Kumar' stubbornness and reality clash beautifully in this wonderfully written film.
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It's brave of a really young actor Shraddha Kapoor to want to play Marlon Brando in The Godfather. And full marks for effort. But Haseena Parkar is a poorly researched film, which just makes you laugh at the end of it all.
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The film does get to you, the story begins as eerie and scary, the landscape of the lonely highway is beautiful and metaphorical, but the length of the film and the silly conclusion leave you frustrated
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