Seetharamudu Telugu Movie

Feature Film | 2006
Critics:
Sep 6, 2006 By Kishore


Seetaramudu will be remembered for Ankita’s generous exposing. She has plenty to show and she does it gleefully. Otherwise the movie is just like any routine as it gets and it hardly impresses. On the other hand the negative vibes are palpable in the movie.


One straight question needs to be asked to the directors like Shyam Prasad. Can they think beyond suicide, horrible comedy with mentally sick people as the theme, accidents, operation theatres and armed goons chasing supporting characters/heroines? If they can then they will have hit movies at the box office. If they can’t then they will have ‘could-have-been-hit’ like Seetaramudu.


Seetaramudu has some unique scenes and the story is different. There are really funny moments with comedian Ali. The director show flashes of brilliance with a scene where Shivaji asks for a lift to his lover’s brother-in-law. The way Seetaram (Shivaji) deals with the real estate don Ramulu (Rahul Dev) is interesting. But such credibility is lost in a flash in a scene where a person wants to commit suicide and Ali tries to rescue him. These types of scenes clearly show that the director lives in a make belief world of his own.


In the make belief world of director Shyam Prasad, Seetaram is a happy go lucky guy whose father works for a real estate-cum-gang lord Ramulu. Seetaram falls for the bare all Anjali (Ankhita) and woes her. But Ramulu’s son also loves Ankhita. He realizes that Anjali doesn’t love him and so is ready to forget her. But his father wants to present Anjali as a bride to his son. Will he succeed, given the fact that his love for Anjali is reciprocated and Seetaram is a hard nut to crack?


Seetaramudu has a good story. The Parimala track, where Shivaji tries to win the love of Anjali by requesting her to unite him with her friend Parimala is unique and hilarious. But as mentioned earlier some unnecessary comedy scenes add to the ennui and take away the sheen off the movie.


Kishore

   

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