John Paul Vaathil Thurakkunnu
'John Paul Vaathil Thurakkunnu' comes across as a group of scattered scenes bound loosely by a fragile narrative. Some doors, they say, are best left closed.
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'John Paul Vaathil Thurakkunnu' comes across as a group of scattered scenes bound loosely by a fragile narrative. Some doors, they say, are best left closed.
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Venu declares himself as an outstanding, unique and challenging voice in Malayalam cinema, with his second directorial venture 'Munnariyippu', a revelatory drama that throws together an emphatic, no-nonsense narrative with a couple of out-of-the-world performances. Incredibly scripted by Unni R, 'Munnariyippu' is engrossing stuff that gradually puts together the pieces of a jigsaw, proffering one revelation after the other with each move.
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Santhosh Khan's 'Monayi Angane Aanayi' is an exercise in pointlessness that is likely to make you twitch your eyebrows in exasperation. With an uneventful former half and a dull second, there is very little about it that will get you all perked up in anticipation.
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The escalating ridiculousness makes 'Beware of Dogs' a tough watch. Entirely hackneyed and frivolous, it's one of those films that make you go 'Bow-wow' in angst and sheer protest.
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They say a thought can ruin it all. And in 'Koothara', one such thought that arrives a bit late in the day plays the annihilator and leaves in its destructive wake nothing but some worthless rubble and dust and grime.
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Saji Surendran's 'Angry Babies' hovers around that moment that lies between love, marriage and life. Playing out on the trouble that brews in a marital paradise, 'Angry Babies' sings a familiar tune, is sporadically funny and and makes little attempts whatsoever to take a detour from a much beaten path.
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'Naku Penta Naku Taka' is more of a misadventure in Africa, not just for the leading pair, but for the viewers too. There is hardly anything tremendously invigorating about the film,nor is it the kind that will make your eyes burn with excitement!
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'Garbhasreeman' is no fun, by any stretch if imagination. It's nauseating, repellent and downright sickening, and ironically all this has nothing to do with the pregnancy that is played out on screen.
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'Test Paper' looks and feels like one of those television sitcoms that drag on for years and years; only that it has been compressed into a running time of one hundred and sixteen minutes.
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Anjali Menon's Bangalore Days is an emotionally resonant tale of three cousins navigating love, dreams, and self-discovery in a vibrant metro city, brought to life with stellar performances and masterful storytelling.
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B Unnikrishnan's 'Mr.Fraud' is a tedious robbery exercise that is sappy and downright predictable. Stuffed with redundant songs and a sentimental family track that looks way out of place, the film that initially promises to be an edge-of-the-seat action caper ends up being a wannabe thriller sans any real kicks or buzz.
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Roshan Andrews in his film 'How Old Are You' takes us along on a woman's quest to unearth her long buried identity. Armed with a bravura performance by Manju Warrier, this superbly acted and emotionally engaging drama is a keeper of a film, and quite an impressive one at that.
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