SMS
SMS is so goofy, that if you set your mobile to beep at every plot hole that it came across, it would run out of batteries and be dead in no time for sure.
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Film critic · Nowrunning
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Covers Malayalam
Aakashagopuram
The intuitive inspection of the insatiable desire for power and authority that time and again makes the Master Builder a subject for stimulating discussions is nowhere in sight in Akashagopuram. At best, it's a plastic production that lost its passion somewhere between its journey from Norway to India.
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Ayudham
There are two vital elements missing from this enterprise - the indispensable punch lines and the obligatory plotline. It's a customary cop movie that offers infrequent thrills and spills with very little but blank bangs all around.
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Veruthe Oru Bharya
Not often has the dynamics of familial discord been portrayed on screen with such palpable power. Faintly reminiscent of those feel-good yarns of the not-so-distant past, Veruthe Oru Bharya is thoroughly and thoughtfully entertaining to the hilt.
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Kabadi Kabadi
Kabadi Kabadi is one of those dull sports that should never have been played. Replete with crass jokes, tactless humor and loads of mind-numbing moments this is a supposedly comic film that's decidedly headed towards disasterville.
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Thrill
Yet another supposedly gripping time-killer. Yet another plot filled with holes wide enough for you to fall through. Yet another miserable opportunity to squander away one and a half hours of your life.
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My Mother's Laptop
My Mother's Laptop has an emotionally charged narrative that tells a haunting tale of a mother and her son entrapped in a swamp of passion and emotions from which there is no return. A mournful meditation on lost innocence, it assumes an elegiac tone to emerge a compelling film of the first order.
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Parunthu
In Padma Kumar's Parunthu, the regal bird is uncharacteristically passive. There is simply no ferocity in its eyes nor does it whoosh about with a lethal clinch. All it does is soar senselessly all around with neither a prey nor a perch in sight.
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Minnaminnikkoottam
There is this smug little world that Minnaminnikoottam depicts, that's far, far away from real life and real people. Which makes it a boring and meandering flick that's utterly clueless about relations, emotions and most importantly what it claims to be all about - love.
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Kanichu Kulangarayil CBI
KCBI never reaches any level of competence that's expected of a thriller. It's a confused and absolutely confusing enterprise that would have an embarrassed CBI running for cover.
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Madambi
Almost everything in Madambi is reminiscent of something or someone you have seen before. What's upsetting about it, more than its ordinariness is its staunch adherence to a cinematic tradition that's fast losing out on its very rationale.
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One Way Ticket
One way ticket is an exercise in emptiness; there's practically nothing happening here. I suppose it has endorsed itself as a comedy, and yet offers very few giggles and even fewer chuckles.
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