Karanavar
'Karanavar' will never come even close to its uncountable predecessors. Banal to the core, it's a pedestrian attempt to recelebrate a once adored marvel in Malayalam cinema.
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'Karanavar' will never come even close to its uncountable predecessors. Banal to the core, it's a pedestrian attempt to recelebrate a once adored marvel in Malayalam cinema.
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To be fair to the young director though, he has brought in all the right colors and spirit into 'Mylanchi Monjulla Veedu', ardently trying to pump in some verve into a factory product of a story. But it simply isn't enough, and if the film gets stashed into the also-ran library before long, it's solely because it didn't have an original tale to tell.
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If only Akku Akbar's cinematic misadventure was half interesting as its title! Wanting in originality and gormless to the core, here is one Mathayi who could spell big trouble for your weekend.
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The progressive incoherence is what mars the impact that 'Angels' would otherwise have made. A little old-hat perhaps, it's an imprudent thriller that squanders the initial potential that it had on show.
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Director Rejish Midhila has every reason to sport a grin, for his debut film 'Lal, Bahdur and Shastri', is an unalloyed, unsoiled piece of film making that should appeal to one and all.
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'The Dolphins' keeps you wondering what the central conflict in its plot is for the one hundred and thirty minutes of its running time. And finally, when it makes itself apparent, you do wonder if it was indeed worth all the fuss.
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When the soul goes missing as it does in 'Oru Korean Padam', everything is lost. And the film is bound to sink without a trace.
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As it is, 'Little Superman' and his gory antics are anything but child's play. If I were you, I would stay far off Willy and his sorry tale, and get those kids of yours a DVD pack of Disney cartoons instead.
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'Ormayundo Ee Mukham' is all about memories, and it's quite ironic that a film that narrates a story on remembrances turns out to be as imminently forgettable as this one.
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Well meaning perhaps, but uninvolving to the core, 'Ottamandaram' strives hard to be an inspirational heart-tugger that it never becomes.
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Amal Neerad's Iyobinte Pusthakam is a masterful period drama that unravels a brutal tale of familial strife and moral dilemmas amidst breathtaking visuals and stellar performances.
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'Varsham' is a soothing shower of compassion and goodwill that is undoubtedly Ranjith Sankar's best work as yet. It is at once an outstanding tale of resilience and a tearfully inspirational chronicle of benevolence; an exquisite downpour that each one of us need to get blessedly drenched in.
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