Even with the statutory warning to leave your brains back home, 'Hotel California' is a brain masher. The impossible to ingest plot contortions make it a bland mishmash that more than often seems contrived to the core.
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In 'Mumbai Police', Roshan Andrews and writers Bobby and Sanjay, lasso in their audience ever so steadily right into the midst of a steaming eddy. The dark lined elegance that the movie sports, makes it a gritty, knotty thriller - a hardboiled treat.
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The psychological turf that 'August Club' sets its story on is uneven, which is why it intrigues in parts.
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'Progress Report' is a really hollow version of a family saga that had lost its takers eons back. It's astonishing that even as cinema seems to going through times of change, regressive attempts as these continue to be made.
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Questions on belief and the lack of it are tossed around in 'Akam', a highly satisfying cinematic experience that comes up with insights of immense significance. Somber and extremely suspenseful, the illusory texture of its narrative turns out to be of a class of its own.
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Its numbingly bad, and you wonder if it could have lasted for more than a week in the theatres even if it were released way back in '72.
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'SIM' directed by Diphan has a message that is best suited for a 3 minute commercial, but which gets elongated beyond imagination into a two hour long humdrum drama.
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What is ironic is that with all the technology and what not that we are blessed with today, Supriya isn't even remotely comparable to Silk, when it comes to pure sensuousness.
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Surprisingly, it's a recognizable story that is visualized into a sad, and often well observed slice of life by the director this time around, making 'Emmanuel' a heartrending, but never hysterical saga of human predicament.
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Benny P Nayarambalam and the script that he pens for Thoma, tires you totally, with its predictability that gives even obviousness a bad name.
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Toying with an idea that has long been thrashed, Pakru does the unthinkable by deciding to craft it into a two hour long film!
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The flavor, spirit and fun of 'Amen' make it buoyantly unpretentious, and the sheer exuberance that it lets out renders it a movie of the magical kind. A feel-good, jovial and unfussy musical experience, it's a sunny gem of a film that drops down from the heavens above, as the Lord parts the clouds to take a look at the world down below.
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