Avarude Ravukal
A clumsy screenplay spells dooms for the movie as it leans towards the 'motivational angle.' The one-liner is riveting, but it bites the dust when the description goes wrong.
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A clumsy screenplay spells dooms for the movie as it leans towards the 'motivational angle.' The one-liner is riveting, but it bites the dust when the description goes wrong.
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Sometimes eerie, and always mysterious, 'Ma Chu Ka' is strictly for genuine movie lovers for a serious appreciation.
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The director infers that his responsibility is to create laughter at any cost, but the commotion reminds us of the chasm between farce and wit. So everything botches up the tale of a youngster's struggle.
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The film places itself in an experimental mode with shades of novel treatment. However, the recurring feel of a senseless tale hinders a thorough enjoyment.
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The journey of 'Achayans' through the familiar terrains is hardly appreciable. As the derailment happens right from the off, the prominent part of the film peters out without making any impact. It's too late for the revival!
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'Lakshyam' is a 'quiet' thriller marked by the perfect blend of a simple plot with a tout screenplay. Albeit the suspense is revealed in the midway, what revs up the excitement is our anxiety about the fate of the two characters. It's a good attempt by a debutant, who handles well a not so eventful tale with his temperament. It might not mesmerize you, but surely offers engaging moments.
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A journey through untraced terrains is visually appealing but the major drawback of 'CIA' is its lackluster plot set in the backdrop of the 'seasonal ingredient'-- leftist politics. Technical finesse eclipses the fragile story, as you usually experience in an Amal Neerad film.
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